All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

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Asher Brown Durand Portrait of the Artist-s Wife and her sister oil on canvas


Portrait of the Artist-s Wife and her sister
Portrait of the Artist-s Wife and her sister
Painting ID::  51344
  mk218 1834 Oil on canvas 92.3x74.6cm
  mk218 1834 Oil on canvas 92.3x74.6cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand James Madison oil on canvas


James Madison
James Madison
Painting ID::  51345
  mk218 1833 Oil on canvas 61.6x51.4cm
  mk218 1833 Oil on canvas 61.6x51.4cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Aarom Ogden oil on canvas


Aarom Ogden
Aarom Ogden
Painting ID::  51346
  mk218 1833 Oil on canvas 30x25in
  mk218 1833 Oil on canvas 30x25in

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Aaron Ogden oil on canvas


Aaron Ogden
Aaron Ogden
Painting ID::  51347
  mk218 1834 10.8x8.9cm
  mk218 1834 10.8x8.9cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Andrew Jackson oil on canvas


Andrew Jackson
Andrew Jackson
Painting ID::  51350
  mk218 1835 Oil on canvas 30x25in
  mk218 1835 Oil on canvas 30x25in

Height    Width


  INS/CM       Quality

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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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